标签: 2026华语独立电影展

  • 记忆坐标 Map of Traces

    MAP OF TRACES
    关于香港的风景与人们遗留的细微痕迹;在离开、留下或徘徊者的记忆里,寻找一个亲密的瞬间,联结彼此。

    影片资料 / Film Details

    导演 / Director
    陈巧真 CHAN Hau Chun

    国家/地区 / Country / Region
    香港 Hong Kong

    年份 / Year
    2025

    类型 / Genre
    短片 Short Film

    时长 / Running Time
    29 分钟 / 29 min

    语言 / Language
    中文 / Chinese

    画面规格 / Image Format
    4:3 · 彩色及黑白 / Colour and Black & White

    梗概 / Synopsis

    关于香港的风景与人们遗留的细微痕迹。在那些离开、留下或徘徊者的记忆里,找一个亲密的瞬间,联结彼此。

    MAP OF TRACES unfolds as a tender letter, exploring the landscapes of Hong Kong and the subtle traces left by its people. Through the memories of those who departed, stayed, or wandered, the film quietly observes the rhythm of the city—a delicate interplay between change and stillness—revealing a mosaic of fleeting moments and intimate connections.

    导演的话 / Director’s Statement

    近年的香港,风景变得陌生,有人离开,有人留下,有人停在中途,不知道该往哪里去。街道依旧是那些街道,但每一处细小的痕迹都在慢慢消退。看似无关紧要,却像某种暗号,成为彼此的坐标。

    影片关于一段未完的对话,一个无人占据的位置,一座轮廓逐渐模糊的山岭,和一个城市未被遗忘的记忆。

    In recent years, the landscape of Hong Kong has grown unfamiliar. Some have left, some have stayed, and some are stuck in between, unsure of where to go. The streets are still the same streets, yet every small trace is gradually fading away. They may seem insignificant, but they feel like secret codes, connecting us to one another.

    The film is about an unfinished conversation, an unoccupied seat, a mountain ridge whose outline is slowly blurring, and the memory of a city yet to be forgotten.

    导演简介 / Director’s Bio

    陈巧真现居香港,其创作深受日常经验启发,透过影像探索人与空间之间的微妙连结。她的作品曾于多个画廊及影展展出,包括多伦多国际电影节、台湾国际纪录片影展、日本映像论坛影展,以及香港的 WMA Space 和 Empty Gallery。

    CHAN Hau Chun is a Hong Kong-based artist whose work is inspired by poetic minimalism and everyday imagery, focusing on the intersection of personal and collective narratives. Her films have been showcased at international festivals such as the Toronto International Film Festival, Golden Horse Awards, Taiwan International Documentary Festival, Image Forum Festival, and International Short Film Festival Oberhausen, and Hong Kong’s WMA Space and Empty Gallery.

    演职员 / Credits

    导演 / Director:陈巧真 CHAN Hau Chun
    声音与音乐 / Sound and Music:徐志彦 CHUI Chi Yin

    出演 / Appearance by
    Saman L. · 刘铁民 LAU Tit Man · C.R.

    影展记录 / Festival Record

    • 2025 多伦多国际电影节正式入选 / Official Selection, Toronto International Film Festival 2025
    • 国际奥伯豪森短片电影节:北莱茵—威斯特法伦州文化与科学部评审团二等奖 / Second Prize of the Jury of the Ministry of Culture and Science of North Rhine-Westphalia, International Short Film Festival Oberhausen

    作品年表 / Filmography

    • 2025《记忆坐标》 Map of Traces
    • 2024《许多房间的一个房间》 A Room Of Many Rooms(展览作品)
    • 2023《一场关于我们起伏之物的对话》 A Conversation about our undulating things(展览作品)
    • 2022《失去的部分》 Lost a Part of
    • 2017《叫我陈太》 Call me Mrs. Chan
    • 2016《无调人间》 No Song to Sing
    • 2014《32+4》

    放映信息 / Screening Information

    2026 华语独立电影展 · 短片单元 / Shorts Programme
    2026 年 9 月 19 日(周六) · 3:30–6:00 pm
    George Washington University Elliott School of International Affairs
    1957 E St NW, Washington, DC 20052

  • 失去的部分 Lost a Part Of

    失去的部分 / Lost a Part Of
    消失的记忆,身体会记住。
    Our bodies remember what they want us to forget.

    影片资料 / Film Details

    导演 / Director
    陈巧真 CHAN Hau Chun

    国家/地区 / Country / Region
    香港 Hong Kong

    年份 / Year
    2022

    类型 / Genre
    纪录片/散文电影 Documentary / Essay Film

    时长 / Running Time
    31 分钟 / 31 min

    语言 / Language
    粤语 Cantonese

    字幕 / Subtitles
    中文字幕及英文字幕 / Chinese & English Subtitles

    画面格式 / Format
    彩色 Colour · 数字拍摄 Digital · MOV 放映

    梗概 / Synopsis

    身体的滞缓,赶不上现实生活的变化。当属于手的记忆被反复召唤,口腔的空缺最终被人工物料填补,身体若有记忆,那该如何回应这几年来置身此地的经验?三个人,各自叙述身体无以名状的变化,试图寻找幽微的轨道。

    Stagnation in the body cannot keep up with the changes in real life. When memory of the trembling hand constantly haunts, when the cavity is filled by artificial materials—if the body remembers, how should it respond to the years of traumatic past? Three of us describe the indescribable body changes, trying to pick up the hints and signs.

    导演的话 / Director’s Statement

    消失的记忆,身体会记住。

    Our bodies remember what they want us to forget.

    导演简介 / Director’s Bio

    陈巧真现居香港,2015 年毕业于香港城市大学。她的作品曾在金马奖、台湾国际纪录片影展、日本映像论坛影展、德国奥伯豪森国际短片电影节、香港 ifva 影展及美国 True/False 电影节等展映。

    CHAN Hau Chun is a filmmaker living and working in Hong Kong. She received her BA from City University of Hong Kong in 2015. Her films have been screened at various festivals including Golden Horse Awards (Taipei), Taiwan International Documentary Festival, Image Forum Festival (Tokyo), International Short Film Festival Oberhausen (Germany), Hong Kong ifva Festival, and True/False Film Fest (Missouri).

    演职员 / Credits

    导演、摄影、剪辑、制片 / Director, Cinematographer, Editor & Producer
    陈巧真 CHAN Hau Chun

    影展记录 / Festival & Screening History

    • 2024 台湾国际纪录片影展 / Taiwan International Documentary Festival
    • 2023 第28届 ifva 影展 / The 28th ifva Festival
    • 2022 香港国际流动影像节 / Hong Kong International Movement-image Festival

    放映信息 / Screening Information

    2026 华语独立电影展 · 短片单元 / Shorts Programme
    2026 年 9 月 19 日(周六) · 3:30–6:00 pm
    George Washington University Elliott School of International Affairs
    1957 E St NW, Washington, DC 20052

  • 九槍 And Miles to Go Before I Sleep

    九槍 And Miles to Go Before I Sleep

    Logline
    殺死他的,真的只是子彈嗎?
    Were the nine shots the only cause of NGUYEN’s death?

    影片资料 / Film Details

    导演 / Director
    蔡崇隆 TSAI Tsung-lung

    国家/地区 / Country / Region
    台湾 Taiwan

    年份 / Year
    2022

    类型 / Genre
    纪录片 Documentary

    时长 / Running Time
    90 分钟 / 90 min

    语言 / Language
    中文、越南语 / Mandarin Chinese, Vietnamese

    梗概 / Synopsis

    就像70万名来台移工的故事,爱唱歌的越南青年阮国非为了早日还债,沦为台湾人鄙夷的“逃跑外劳”。他靠着优秀的建筑技术带领一班移工兄弟,在新大楼建案最多的新竹一带打工赚钱。随着存款不断累积,回国创业的梦想也即将实现。

    2017年8月31日,阮国非在偏僻河边被举报窃取小货车,追捕过程中遭年轻警察陈崇文连开九枪,于送医过程中失血过多死亡。舆论一面倒地支持警员射杀拒捕的非法外劳,而一连串的谜团却在事件后逐一浮现。为什么警察要对一名移工连开九枪?捕捉移工是他的正常业务吗?原本是阳光青年的阮国非,身上为什么有毒品反应?在枪响之前,是哪些力量迫使阮国非成为命如草芥的逃跑移工?杀死他的,真的只是那九发子弹吗?当加害者不见得是真正的加害者,而不完美的受害者,又是罪有应得吗?

    Much like the stories of the 700,000 other migrant workers in Taiwan, Vietnamese man NGUYEN Quoc Phi, who enjoyed singing, became a runaway worker in the ugly and complex migrant worker system. With his expertise in construction work, he was a leader of a group of migrants working in Hsinchu. He dreamed of saving up enough money so he could start his own business back in his home country.

    In 2017, NGUYEN was reported for a car theft and ended up being shot nine times by police officer CHEN Chung-wen. NGUYEN bled to death on the way to the hospital. The Taiwanese public supported CHEN’s use of firearms against the runaway migrant who resisted arrest and had records of drug use. Were the nine shots the only cause of NGUYEN’s death? When the perpetrator isn’t necessarily the true perpetrator, is the imperfect victim the one to blame?

    导演简介 / Director’s Bio

    蔡崇隆曾任媒体记者、公共电视制作人,现为独立纪录片导演。执导作品《岛国杀人纪事》获第24届金穗奖最佳纪录片;《油症:与毒共存》获2008年南方影展首奖。制片作品《徐自强的练习题》获2016年南方影展首奖,并入围金马奖最佳纪录片。2022年作品《九枪》获金马奖最佳纪录片。

    TSAI Tsung-lung was a journalist and producer at Taiwan Public Television and is currently an independent documentary filmmaker. He produced Condemned Practice Mode, which won the South Award at the 2016 South Taiwan Film Festival and was nominated for Best Documentary at the Golden Horse Awards. In 2022, he directed And Miles to Go Before I Sleep, which won Best Documentary at the Golden Horse Awards.

    参展及得奖记录 / Festivals & Awards

    获奖与提名 / Awards & Nominations

    • 2022.11 第59届金马奖最佳纪录片奖 / Winner of Best Documentary Feature, 59th Taipei Golden Horse Film Festival
    • 2022.11 第59届金马奖最佳原创电影歌曲入围 / Nominee of Best Original Film Song, 59th Taipei Golden Horse Film Festival
    • 2023 台北电影节最佳导演奖入围 / Nominee of Best Director, Taipei Film Festival
    • 2023 台北电影节最佳纪录片奖入围 / Nominee of Best Documentary, Taipei Film Festival
    • 2023 台北电影节百万首奖入围 / Nominee of NT$1 Million Grand Prize, Taipei Film Festival
    • 2024 台湾国际纪录片影展台湾竞赛入围 / Nominee of Taiwan Competition, Taiwan International Documentary Festival
    • 2024 台湾影评人协会奖最佳影片及最佳导演入围 / Nominee of Best Documentary Feature & Best Director, Taiwan Film Critics Society

    影展入选 / Official Selections

    • 2022.11 金马X司法影展 / Judicial Film Festival
    • 2023.03.22–04.02 捷克 One World 人权影展 Right to Know 国际竞赛 / One World International Human Rights Documentary Film Festival
    • 2023 澳门国际纪录片影展 / Macao International Documentary Film Festival
    • 2023 巴黎台湾电影节 / Filmosa Festival – Festival du Cinéma Taïwanais à Paris
    • 2023 韩国釜山电影节市场展 / Busan International Film Festival Asian Contents & Film Market
    • 2023 香港亚洲电影节 / Hong Kong Asian Film Festival
    • 2023 洛杉矶亚洲国际影展 / Asian World Film Festival, LA
    • 2023 印尼日惹亚洲影展 / Yogyakarta Documentary Film Festival
    • 2023 匈牙利台湾纪录片影展 / Taiwan Dox: Tajvani Dokumentumfilm Napok
    • 2024 澳洲台湾影展 / Taiwan Film Festival in Australia
    • 2024 Docudays 乌克兰国际人权纪录片影展 / Docudays International Human Rights Documentary Film Festival, Ukraine
    • 2024 新加坡华语电影节 / Documentary Vision, Singapore Chinese Film Festival
    • 2024 柏林台湾影展(开幕片)/ Taiwan Film Festival Berlin
    • 2024 日本东京台湾电影上映会 / Taiwan Movie Screening in Japan
    • 2024 泰国台湾影展 / Taiwan Documentary Film Festival in Thailand
    • 2024 德国图宾根大学台湾电影节 / Taiwan Film Festival, University of Tübingen
    • 2025 意大利博尔扎诺影展台湾焦点 / Focus Taiwan, Italy Bolzano Film Festival

    邀请放映 / Invited Screenings

    • 2023.03 欧洲台湾研究学会 / European Association of Taiwan Studies (EATS)
    • 2023.03 伦敦大学亚非学院 / School of Oriental and African Studies, University of London
    • 2023.03 樸茨茅斯大学 / University of Portsmouth
    • 2023.03 诺丁汉特伦特大学 / Nottingham Trent University
    • 2023.03 诺丁汉大学 / University of Nottingham
    • 2023.03 中央兰开夏大学 / University of Central Lancashire
    • 2023.06 马来西亚新纪元大学学院
    • 2023.08 马来西亚南方大学学院
    • 2023.12 牛津大学 / University of Oxford
    • 2023.12 林肯大学 / University of Lincoln

    作品年表 / Filmography

    • 2000《岛国杀人纪事 1》 Killing in Formosa 1
    • 2001《公娼启示录》 Taipei Licensed Prostitutes
    • 2001《鲸人对话录》 Between Men and Whale
    • 2002《岛国杀人纪事 2》 Killing in Formosa 2
    • 2002《奇迹背后》 Behind the Miracle
    • 2003《我的强娜威》 My Imported Wife
    • 2003《黑仔讨老婆》 My Imported Bride
    • 2003《中国新娘在台湾》 Marriages on the Borders
    • 2005《我们的最后一战》 The Last Revolt
    • 2006《郑南榕》 Nai-Lon
    • 2008《油症:与毒共存》 Surviving Evil
    • 2009《岛国杀人纪事 3》 Killing in Formosa 3
    • 2012《对岸异乡人》 The Other Side
    • 2013《可爱陌生人》 Lovable Strangers(与阮金红联合导演)
    • 2014《太阳,不远》 Sunflower Occupation
    • 2016《再见,可爱陌生人》 See You, Lovable Strangers(与阮金红联合导演)
    • 2022《九枪》 And Miles to Go Before I Sleep

    导演的话 / Director’s Statement

    我们面对少数群体的态度,决定我们与极权国家的距离。

    台湾以人权价值自豪,但似乎是以特定种族和阶级为前提。《九枪》以阮国非事件为切入点,但我希望观众要思考的是超越个案的结构性问题,甚至是台湾人面对东南亚移工的集体心理状态。

    这是一场本来可以避免的悲剧,但《九枪》没有想要控诉谁,事件双方都是结构下的基层弱势者。我希望《九枪》给台湾公民一个多元辩证的空间,甚至带给观众一些动力。在各自的社会位置上,利用自己的专业能力、资源或选票,为70万名没有话语权的移工启动一些改变。

    最后,谢谢各位来看这部电影。我们一起努力,让台湾成为一个真正民主、共好的国家。

    Our attitude towards minority groups distinguishes us from totalitarian regimes.

    Taiwan is proud of its idea of human rights, but it seems to be premised on a specific race and class. NGUYEN’s death is an entry point for structural problems.

    700,000 Southeast Asian migrant workers have no voice, but change can still be initiated with each of your professional abilities, resources and votes.

    Thank you for watching this film. We should work together to make Taiwan a truly co-existence and co-prosperity country.

    放映信息 / Screening Information

    2026 华语独立电影展开幕场 / Opening Ceremony
    2026 年 9 月 19 日(周六) · 1:00–3:00 pm
    George Washington University Elliott School of International Affairs
    1957 E St NW, Washington, DC 20052